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By Bennett R., Bowers R. G.

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Figure 2-3. . and try. . Figure 2-4. . and try. . Figure 2-5. . and try. . Figure 2-6. . and try. . Figure 2-7. . and try again! com). Figure 2-8. Final designs of Bob and Doug McKenzie Next, we make a size comparison chart that shows each character’s size relative to the other characters in the project. Figure 2-9. Size comparison chart for “The Animated Adventures of Bob & Doug McKenzie” After building the size comparison chart, we create turn-around models of each character. These turnarounds show what the characters look like from different angles.

Knowing how to tell your story well visually and play to Flash’s strengths will give you some latitude in planning your project. As described previously, one of the main choices you’ll need to make is how you are going to approach your animation. Will you use the character layout method or the character library method? The answer to this will, in turn, impact how you approach your storyboards. 17 CHAPTER 1 Figure 1-12. An Off-Mikes storyboard panel Copyright ©2007 ESPN Internet Ventures For instance, if you are producing a short one-off cartoon and aren’t likely to reuse the characters again, you will most likely choose the character layout method.

Like it or not, one of the main reasons people turn to Flash for their animated productions is because it is presumed that Flash is “faster and cheaper” than other forms of animation. While it is true that, with proper preproduction planning, Flash allows you to leverage certain tool sets to great advantage, the idea that Flash is faster and cheaper than other forms of animation is misleading and often false. Is a hammer better than a drill? Is a table saw preferable to a circular saw? It depends on the job you 15 CHAPTER 1 are trying to do, right?

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