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By George Edgar Slusser, George Robert Guffey, Mark Rose

Ten new severe essays written for presentation on the first Eaton convention on technology Fiction and myth Literature held 24–25 February 1979, on the collage of California, Riverside. While severe dialogue of technological know-how fiction has turn into more and more subtle up to now decade, there continues to be a bent between a few academics and readers to think about technology fiction as an self reliant phenomenon that exists unconnected to the mainstream of our cultural inheritance. those essays—by Harry Levin, Irving Babbitt Professor of Comparative Litera­ture at Harvard college; Kent T. Kraft, Assistant Professor of Comparative Literature on the collage of Georgia, Athens; Stephen Potts, author and teacher at San Diego country Univer­sity; Gregory Benford, author and affiliate Professor of Physics on the college of California, Irvine; Robert Hunt, an editor at Glencoe Publishing; Eric S. Rabkin, Professor of English on the collage of Michigan; Patrick Parrinder, teacher on the collage of analyzing, England; Thomas Keeling, Lecturer in English on the college of California, l. a.; Carl D. Malmgren, teacher on the collage of Oregon, Eugene; and Thomas Hanzo, Professor of English and Chairman of the de­partment on the collage of California, Davis—suggest the connections that exist among technology fiction and different elements of Western cultural tradition. Ranging in curiosity from the particularly philosophical to the particularly literary, the essays relate technology fiction to such top­ics as medieval cosmological discourse, classical empirical phi­losophy, fairy story, epic, and Gothic fiction. rising from the amount as an entire are either a coherent view of technological know-how fiction as a style and a heightened experience of its advanced relation to our cultural historical past.

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Guffey and Mark Rose Southern Illinois University Press Carbondale and Edwardsville Feffer & Simons, Inc.  Bridges to science fiction.  2425, 1979, at the University of California, Riverside. Bibliography: p. Includes index.  Guffey, George Robert.  Title. 3876 80-16622 ISBN 0-8093-0961-0 Page v Contents Preface vii Science and Fiction Harry Levin 3 Incorporating Divinity: Platonic Science Fiction in the Middle Ages Kent T. Kraft 22 Dialogues Concerning Human Understanding: Empirical Views of God from Locke to Lem Stephen W.

Zola would not have us take it otherwise; "Le naturalisme," he announced, ". . " Taking naturalism as his novelistic slogan was to intensify the rigor of his Page 11 philosophical determinism. In the mean time the Darwinian theory had intervened, and its anti-anthropocentric reductionism went even farther to undermine the status of human dignity than the astronomical reductions of the Renaissance. Theodore Dreiser's rising tycoon, Frank Cowperwood, learns the lessons of social Darwinism by watching an aquarium and musing: "Things lived by each otherthat was it.

But, though James Watson's Double Helix chronicles the discovery of DNA, his underlying themes are human competition and vanity. Literature, taken in its broadest sense, has acted as an agent for the dissemination of science. Some of the most technical treatises, in the early days, were couched in poetic modes. The Greeks and Romans read Aratus and Lucretius for information about meteors and atoms. Indeed the evocation of Epicurus, at the beginning of De Rerum Naturae, "proceeding far beyond the flaming walls of the firmament," is a more eloquent tribute than any Nobel Prize winner has ever been paid.

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