By Michael James Rizza
An city, brainy mystery that retains us turning pages through a narrator either seductive and weird, and a plot that ever shifts again on itself—this is an international of philosophy and violence, voyeurism and doubt, guilt and intrigue
"Cartilage and Skin has all of it: a fast moving narrative, cool language, downtrodden characters, and addictive intrigue. Rizza writes with darkish high-energy and philosophical aptitude approximately his fearful anti-hero on a self-destructive quest. the tale shifts with each web page, by no means wasting momentum, constantly unbelievable us. interesting, ferocious reading." — Deb Olin Unferth, in awarding the Starcherone leading edge Fiction Prize
Michael James Rizza was once born in Elizabeth, New Jersey, on January 6, 1972. He has been instructing writing and literature for the previous twelve years. He has an MA in inventive writing from Temple college in Philadelphia and a PhD in American literature from the collage of South Carolina. He has released educational articles on Don DeLillo, Milan Kundera, Harold Frederic, and Adrienne wealthy in peer-reviewed journals, comparable to Arizona Quarterly and Critique: stories in modern Fiction. His fiction has lately seemed in Switchback (2012), Atticus Books on-line (2011), and Curbside Splendor (forthcoming). He has received a number of awards for his writing, together with a fellowship from the recent Jersey Council at the Arts in 2003. the 1st bankruptcy of Cartilage and Skin used to be played at Playwrights Theatre in Madison, New Jersey. His present initiatives are a e-book in regards to the theories of Fredric Jameson, Jean Baudrillard, and Michel Foucault, and a unique tentatively titled Domestic Men's Fiction. He lives in New Jersey together with his spouse Robin and their son, Wilder.
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Extra info for Cartilage and Skin
10 That night, a pale-faced young woman with tousled hair appeared at Omichi’s bedside. The woman was soaking wet from head to toe, as though she’d been drenched in water. She made a deep bow, placing her hands squarely on the tatami floor, her demeanor suggesting a servant in a samurai house. Without a word, or any hint of menace, she simply sat there, kneeling in demure silence — but that alone was unimaginably terrifying. Omichi lay there trembling, unconsciously clutching the edge of the quilt, until suddenly she awoke from her nightmare.
Eight years later Doyle succumbed to pressure and resurrected the sleuth. If similar anecdotes about readers’ reactions to the fits and starts of Kidō’s series exist, they unfortunately have not so far been told, for in general Hanshichi has yet to be subjected to the same level of scholarly scrutiny in Japan as Holmes has by “Sherlockians” in Great Britain and around the world. Perhaps the best gauge of the public response to Hanshichi is Kidō’s 1936 essay in Sunday Mainichi entitled Hanshichi shōkai-jō (Introducing Hanshichi), written to answer readers’ frequent queries about Hanshichi’s true identity.
Though of humble status he holds a position of great importance in the government. ” Scold and reason with her as he might, he got nowhere. But then something occurred to him — seemingly incredible, perhaps, but such things were not unheard of in this world. After all, there were several young samurai in service at Obata’s house. And the nearby residences were full of second and third sons 8 ok a moto k i d ō who led idle, dissolute lives. Wasn’t it possible that his sister, who was still very young, had gotten herself into some sort of mess from which she was trying to extricate herself to avoid sullying her good name?